Go into the motion tab and scale the video to 100% for 1440 or 150% for 960. In Final Cut 7, it’ll scale the height to the frame size by default. Careful not to go below 360 or above 720 in the vertical slider or you’ll get black sections above or below your clip. Next, if you’re unhappy with a straight crop of equal top and bottom, slide up and down the 2nd position value in the same Motion heading – the value that says 540 by default. This should pop the clip into the full width of the frame and get rid of the black bars on either side. If your project sequence is 1080P (which it should be), scale the clip to 150% for 960P clips or 100% for 1440P clips. Next, go over to the Effect Controls tab after you click on the clip of interest, look for scale under the Motion heading. If you’re in Premiere, you’ll want to right click on the clip in the timeline and uncheck “Scale to Frame Size” if it’s checked. The easiest way to deal with 4:3 footage is to crop off the bottom and the top in your editor of choice. The more view you have, the more immersive the video. POV skiing in 1440 may see your skis, the ski run, and the horizon, while 1080P may only see the ski run! You’re losing a lot of important visual perspective. Why do these modes exist? The sensor in a GoPro is a 4:3 aspect ratio so when you shoot any of the 16:9 modes (720P, 1080P, etc) you’re actually cropping off video that was received on the sensor above and below your current video frame. In the GoPro these are all of the 9 modes. What this means is that it’s more of a ‘square’ frame than the typical HD wide clips.
4:3 refers to the modes in the GoPro that have a 4:3 aspect ratio as opposed to 16:9 or 17:9.
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